Aperture – The Pupil of the Camera

You enter a room from bright sunny outdoors. The room looks dark, and it takes some time to get used to the less light inside. You get up in the middle of the night to drink water. Even with no lights on, it is not difficult to move around the room. This is because the eyes have got used to the darkness.

aperture pupils

This experience is due to the change in the amount of light entering the eyes. This amount is controlled by the iris, a muscular diaphragm behind the cornea in the eye. The iris contracts or increases in size depending on the light present. This makes the hole in the middle of the iris bigger or smaller. This hole is called the pupil of the eye. When light entering the eye is less, the iris contracts making the pupil bigger, and allowing more light to enter. Similarly, for bright light, the pupil becomes smaller to allow less light in.

The camera has a diaphragm for the iris, and the aperture is its pupil. Simply put, aperture is the hole that lets in light when shutter is open and allows light to fall on the film/sensor. Aperture is one of the pillars of the Exposure Triangle, the other two being ISO and Shutter Speed.

F-stop or F-number

Aperture is measured using f-stop or f-number. The numbers on the f-stop scale are: f/1.4, f/2, f/2.8, f/4, f/5.6, f/8, f/11, f/16, f/22. Some cameras have numbering as f1.4, f2, f2.8 and so on. These numbers depend on the lens and its focal length. Based on the settings, the numbers in between can change.

Smaller the f-stop value, bigger is the aperture. This is because f-stop is a ratio. F-number is the ratio of focal length of the lens to the aperture diameter.

Aperture diameter = focal length of lens/f-stop

For each jump in f-number to its right, the aperture reduces by half. f/1.4 has the largest aperture while f/22 has the smallest aperture.

aperture f-stop

How does aperture affect the image?

There are two ways in which an image is affected by the change in aperture: Brightness and Depth of Field (DOF).

Low f-stop -> Large aperture -> More bright, low DOF

High f-stop -> Small aperture -> Less light, high DOF

Brightness

Lower f-stop increases the aperture diameter, letting in more light. As f-stop number is increased, the amount of light entering the aperture reduces.

aperture brightness

Depth of Field (DOF)

Depth of Field, or DOF is the amount of image that is sharply focussed. A low or shallow DOF means only a particular part of the image is sharp, and the rest of the image is blurred. We see such DOF in portrait images. A high DOF has everything sharp and in focus. Landscape images have high DOF.

aperture dof

In the first image above, the f-stop is set to the smallest value. The lens is focussed on the white peg making it sharp. The rest of the pegs appear blurred. The lens can be made to focus on any of the items in the image. Only those will be sharp, and the rest of the image will be blurred and out of focus.

The second image is set to a high f-stop. This aperture value brings everything in the image into focus, and sharp. While shooting landscapes, a high f-stop is recommended.

aperture varying dof

In this combo image, the f-stop is varied, starting from the lowest for that lens (50 mm focal length) to the maximum f-stop possible for this lens, i.e., from 1.8 to 22. The extent of sharpness (focus) increases from the first bottle to all the three bottles as the f-number increases.

The brightness is maintained constant by changing the shutter speed. The ISO is kept constant at 100 for all the six images.

As a ready reckoner, low f-stop is used for portraits and objects at close distance. The focus will be completely on the object blurring out the rest of the image.

High f-stop is selected for landscapes when the entire image needs to be sharp and visible clearly.

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